The documentary “The Punk Singer,” which chronicles the life of Kathleen Hanna, explores the stage as a feminist space. As a young artist, Hanna sought to combat the violence and the sexism that usually rules punk rock music shows. She did this by ensuring that her concerts were targeted to a female audience both figuratively and literally. Hanna would call women to the front of the stage protecting them from the dangerous mosh pits that were known to erupt. Hannah’s supporters explain that this small request was actually revolutionary for gender relations as men are accustomed to dominating a room. In addition, the content of the music focused on women’s issues, such as rape and gender prejudice. Instead of music normally acting as escapist, it forced listeners to confront the issues head on; Hannah “screamed what was unspoken.” Concertgoers expressed that Hanna’s stage presence was that of a man’s; she was known to act aggressively and crudely. In “Ways of Seeing,” John Berger asserts that women behave according to how men will perceive them. However, Hanna destroyed this idea by rejecting a man’s idea of how a woman should act through her behavior and through the content of her music. It was difficult for me think of an analogous figure in music today that approaches feminism with Hanna’s aggressive approach. Has this type of feminism died in today’s culture?
Berger, John. “From Ways of Seeing.” The Feminism and Visual Culture Reader. By Amelia Jones. London: Routledge, 2003. 37-39. Print.